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吴昌硕与王一亭合影
王一亭(1867年—1938年11月),号白龙山人、梅花馆主、海云楼主等,法名觉器。祖籍浙江吴兴(今湖州市),生于上海周浦。清末民国时期上海著名书画家、实业家、杰出慈善家、社会活动家与宗教界名士。
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王一亭 钟馗拜观音
王一亭作品具有近代人文主义意识。早年学画得徐小仓指点,后师从任伯年,画艺大进,继承任派风格。晚与金石派大师吴昌硕亦师亦友,趋向阔笔写意,设色浓艳,笔墨酣畅,气势雄阔而不失写实本色。构图讲究,诗书画印,浑然一体。在清末民初海上画派中影响仅次于吴昌硕。吴昌硕赠诗王一亭曰:“天惊地怪生一亭,笔铸生铁墨寒雨。”
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王一亭 花好月圆册 纸本设色,十五开
创作年代:1930年作 尺寸:30×45cm×15
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1.十二名花。白龙山人。钤印:白龙山人(朱)、王震长寿(白)、一亭日利(朱)
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2.赤城霞护两三枝,窗畔梅香漱入惟。我亦为华凉古艳,春风袭袭点凝脂。白龙山人写。钤印:王震大利(白)、一亭(朱)、古梅花馆(朱)
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3.董奉奇方着杏林,果然着手便成春。东风十里花如海,掩映长安及第人。白龙山人写。钤印:王震(白)、一亭父(朱)、海云楼(朱)
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4.晓入天台访玉真,珊珊仙佩落红尘。暖风三月花如锦,也似河阳一县春。白龙山人写。钤印:王震(白)、一亭父(朱)、梓园(朱)
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5.蔷薇花发麦秋寒,白白红红倚画栏。赢得汉宫传韵事,丽娟带笑日常看。白龙山人写。钤印:王震大利(白)、一亭(朱)、得其环中(白)
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6.安石榴传大夏西,乘槎博望手亲携,画开五月红如火,喜伴蒲觞共品题。白龙山人写。钤印:白龙山人(朱)、心本无生因境有(朱)
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7.数平濂溪若子花,出波犹似玉无暇。闲庭六月浑忘暑,阵阵香风透碧纱。钤印:王震大利(白)、一亭(朱)、无吾(朱)
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8.秋雨秋风小砌旁,幽姿碎蕊散微芳。含颦卓立西窗下,思归长城有孟姜。白龙山人写。钤印:王震(白)、一亭父(朱)、古秋(朱)
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9.淮南招隐说刘安,碧树丛丛艳小山。正值中秋好明月,香飘桂子落人间。白龙山人写。钤印:王震大利(白)、一亭(朱)、白龙山人(白)
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10.栗里陶家最有名,东篱秋色缀繁英。重阳时节无风雨,坐看南山为解醒。庚午重九,白龙山人写。钤印:王震(白)、一亭父(朱)、鲜鲜霜中菊(朱)
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11.浅水方塘一鉴横,霜天酒孰喜盈觥。芙蓉城里花千树,长住风流石曼卿。白龙山人写。钤印:王震大利(白)、一亭(朱)、大写(朱)
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12.白石清泉养素姿,水仙王庙想依稀。生成一种凌波态,雪霁朝阳有护持。白龙山人写。钤印:王震(白) 一亭父(朱)、静观(朱)
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13.往事依稀忆寿阳,梅花点额卧含章。天公有意相怜惜,勅赐宫袍易赭黄。庚午秋九,白龙山人写。钤印:王震(白)、一亭父(朱)、即心即佛(朱)
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14.桃杏榴荷桂兰梅,海棠妍丽又蔷薇。芙蓉城里雨花使,水国春寒报腊回。庚午九秋白龙山人题。钤印:王震大利(白)、一亭(朱)
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15.月不常圆花易残,人同花月久为难。沧桑观变皆如是,色相参空心自安。庚午九秋,白龙山人。钤印:王震大利(白)、放下便是(朱)
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